![]() Characters rarely, if ever, realize the promise of a better life. What happens once is destined to happen again. Time is another conspicuous theme, which is frequently displayed as cyclical instead of linear. Several prominent authoritarian figures, such as soldiers, police, and sadists all have the power to torture and kill. The idea of terror overwhelms the possibility of rejuvenation in magical realism. While the reader realizes that the rational and irrational are opposite and conflicting polarities, they are not disconcerted because the supernatural is integrated within the norms of perception of the narrator and characters in the fictional world. The Supernatural and Natural: In magical realism, the supernatural is not displayed as questionable. Because it would then be less valid, the supernatural world would be discarded as false testimony. In magical realism, the simple act of explaining the supernatural would eradicate its position of equality regarding a person’s conventional view of reality. This technique promotes acceptance in magical realism. As Echevarria notes, the act of distancing oneself from the beliefs held by a certain social group makes it impossible to be thought of as a representative of that society.Īuthorial Reticence: Authorial reticence refers to the lack of clear opinions about the accuracy of events and the credibility of the world views expressed by the characters in the text. The term “magic” relates to the fact that the point of view that the text depicts explicitly is not adopted according to the implied world view of the author. Simultaneously, the writer must strongly respect the magic, or else the magic dissolves into simple folk belief or complete fantasy, split from the real instead of synchronized with it. Irony Regarding Author’s Perspective: The writer must have ironic distance from the magical world view for the realism not to be compromised. Authors establish these plots to reveal a crucial purpose of magical realism: a more deep and true reality than conventional realist techniques would illustrate. ![]() Specifically, magical realism is illustrated in the inharmonious arenas of such opposites as urban and rural and Western and indigenous. The plots of magical realist works involve issues of borders, mixing, and change. Hybridity: Magical realists incorporate many techniques that have been linked to postcolonialism, with hybridity being a primary feature. Yet, magical realism is not confined to Latin American literature alone, for many Latin American writers have influenced writers around the world, such as Indian writer Salman Rushdie and Nigerian poet and novelist Ben Okri. In Latin America in the 1940s, magical realism was a way to express the realistic American mentality and create an autonomous style of literature. To him, it was a way of representing and responding to reality and pictorially depicting the enigmas of reality. The term “magical realism” was first introduced by Franz Roh, a German art critic, who considered magical realism an art category. However, the fictional world is not separated from reality either. It aims to seize the paradox of the union of opposites for instance, it challenges binary oppositions like life and death and the pre-colonial past versus the post-industrial present. According to Angel Flores, magical realism involves the fusion of the real and the fantastic, or as he claims, “an amalgamation of realism and fantasy.” The presence of the supernatural in magical realism is often connected to the primeval or magical “native” mentality, which exists in opposition to European rationality (See Myths of the Native). According to Ray Verzasconi, as well as other critics, magical realism is “an expression of the New World reality which at once combines the rational elements of the European super-civilization, and the irrational elements of a primitive America.” Gonzalez Echchevarria believes that magical realism offers a world view that is not based on natural or physical laws nor objective reality. Magical realism differs from pure fantasy primarily because it is set in a normal, modern world with authentic descriptions of humans and society. A literary mode rather than a distinguishable genre, magical realism is characterized by two conflicting perspectives, one based on a so-called rational view of reality and the other on the acceptance of the supernatural as prosaic reality.
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